Showing posts with label Robert Rodriguez. Show all posts
Showing posts with label Robert Rodriguez. Show all posts

5.22.2007

ROBERT RODRIGUEZ DOES "BARBARELLA"

Variety has announced that Planet Terror auteur Robert Rodriguez will team with Casino Royale screenwriters Neal Purvis and Robert Wade on a remake of the 1968 sexy-space film Barbarella for a 2008 release.

Barbarella
was based on a French comic book which debuted in 1961.

Producer Dino De Laurentiis hinted at the flavor of the remake: "In our vision, the future is female, and I can't wait to introduce
Barbarella to a new generation of moviegoers," he said.

Neither can I, Dino, neither can I.

It would be interesting which one of Robert's ladies will play the title role (Rose, Jessica, Salma, Carla, Rosario, or Marley), or will it be someone completely new?

4.09.2007

MOVIE REVIEW - GRINDHOUSE


Everyone’s going to chime in about Grindhouse, the new “double feature” from Robert Rodriguez and Quentin Tarantino, so I’ll make my comments short and sweet. Grindhouse is a masterpiece, as near to perfect filmmaking as I am likely to see. I’ve heard some comments that Tarantino’s entry, Death Proof, isn’t as good as Rodriguez’s Planet Terror, that it’s overly long, and boring before it suddenly gets down to the action and gets good. It’s trite to say that this is comparing apples to oranges, that the films are intentionally and appropriately different, and therefore subject to separate critiques, but Tarantino would have been making a big mistake trying to follow an action packed zombie thriller with more of the same slam-bang action. Death Proof follows a different but equally important pattern of grindhouse movies, and if you (like me) have seen enough of them, then you’ll see that in most ways Death Proof is the superior homage to the grindhouse “genre.” Tarantino’s characters speak openly about the films that inspired their piece, White Line Fever, Vanishing Point and my fave, Dirty Mary, Crazy Larry, but his film also hearkens back to those odd little T&A films in which the point seems to be following around attractive women for as long as possible, getting ample close-ups of their bodies along with inane yet strangely compelling chatter, then suddenly remembering that we need a plot to string it all together. In my long years searching out odd films in forgotten drive-ins, burned out movie palaces and out-of-business video stores, I’ve seen more films like this than films like Planet Terror. The fact that Tarantino can fill his film with examinations of character that raise his piece above the level of his inspirations makes his film a different kind of animal, just as Rodriguez used state of the art CGI to raise Planet Terror above the level of cheesy SFX so prevalent in the inspirations for his piece. Many people I’ve talked with have expressed an interest in seeing some of the films previewed turned into full-length features. With the possible exception of Machete, I’d cast my vote for avoiding this. Just as many of the previews for old grindhouse films are far superior to the films themselves, because they can have all the best parts showcased without any of the dreck, I’d expect these previews, filled to feature length status, would collapse under their own weight. Don’t would be a boring British thriller, Werewolf Women of the SS a nudie-bore, and Thanksgiving a shlock shocker (though, with the right script, who knows?)

2007 has been a banner year for genre films, with 300, The Host and Grindhouse leading the way. In any other year, if they were the only three films being released, we'd call this one of the best years in cinema history.

3.27.2007

THE DESPERADO AND JACK SPARROW ARE OFF TO SIN CITY

MTV spoke to director Robert Rodriguez about the next chapters of the Sin City film series that he's working on with collaborator Frank Miller.


According to Rodriguez, Sin City 2 is "based on 'A Dame to Kill For,' which has a lot of the old characters still alive because it's a prequel to 'The Big Fat Kill'".

Rosario Dawson and Jessica Alba are expected to reprise their roles as Gail and Nancy Callahan, respectively in Sin City 2.

Rodriguez also suggested that the third film will revolve around "Hell and Back," the story of Wallace, a brooding artist who, due to being drugged repetitively, wanders through most of the tale hallucinating. Johnny Depp is expected to play Wallace in the film, and although no deal is in place yet, Rodriguez in confident that the actor will sign.

According to MTV, Rodriguez stated that,"He (Depp) was interested in doing the Jackie Boy character that Benicio [del Toro] played [in the first one], but he was doing that movie 'Libertine' in Europe and it just kept getting pushed and delayed and went right through our shooting schedule," Rodriquez said of the actor he directed in "Once Upon a Time in Mexico." "But there is a better role for him in ['Hell and Back']. I kept going, 'Gosh, Jackie Boy is a small part, he could be really good [as Wallace].' When he wasn't available, I thought maybe it was meant to be."

Miller is also working to find a place in the saga for frequent Rodriguez collaborator Antonio Banderas.

"When I showed him the first sample of the work, he went, 'Man I'll do anything in that. I'll be the hunchback. You have to bring me onboard, that looks amazing,' " Rodriguez recalled. "So Frank met him that time too and he said, 'I have got to find something for that guy. I've never met him before. He's amazing.' [So we're] looking at the cast of characters and [looking] to see where he can fit."